Journal articles: 'Fantasty' – Grafiati (2024)

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More than three quarters (76%) of the fantasty-prone college students (total N = 21) who scored in the upper 4% of the population on the Inventory of Childhood Memories and Imaginings (ICMI) [1] and who were administered a diagnostic interview met the criteria for either a past or present Axis I diagnosis according to the Diagnostic and Statistical Manual of Mental Disorders [2] compared with 30% of medium fantasy prone students (total N = 20) who scored within 1/2 a standard deviation of the mean on the ICMI. Negative affectivity, as measured by the General Temperament Survey [3], was found to mediate the relation between fantasy and current Axis-I disorder, but not past Axis-I disorder. Whereas 5% of the medium fantasy prones received a dissociative disorder diagnosis, 33% of the fantasizers did so, with dissociative disorder not otherwise specified (DDNOS) constituting three quarters of the total dissociative diagnoses. Fantasizers also reported more dissociative experiences and more tenuous cognitive, affective, and attentional control than their non fantasy-prone counterparts. In general, the results provide confirmation of the findings of Rauschenberger and Lynn [4].

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Fantastyka miejska cieszy się coraz większym zainteresowaniem czytelników, pozosta­jąc jednocześnie na marginesie badań naukowych. Artykuł miał na celu skonkretyzowanie, z czego wywodzi się fantastyka miejska oraz jakie są jej cechy konstytutywne, a także jak ten podgatunek wpływa na zmianę opisywania miasta. Wskazano na zbieżności gatunko­we z kryminałem, zmianę paradygmatu miasta, wpływ legend miejskich na urban fantasy. Nakreślono związek rozkwitu fantastyki miejskiej z obserwowanym od kilku dekad zwrotem przestrzennym.

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Philip Kindred Dick (1928–1982) przez 54 lata życia napisał przeszło 40 powieści i 200 opowiadań, w znakomitej większości utwory science fiction, osobne i niepodobne do utworów SF innych autorów. Po teofanii, której Amerykanin doświadczył w marcu 1974 roku, jak zauważa Lech Jęczmyk, pisał już tylko o Bogu. Trzy ostatnie wydane powieści pisarza, nazywane „trylogią VALISa”, dotyczą właśnie tej teologicznej, teozoficznej i filozoficznej tematyki. Dick był erudytą i mistykiem, a jego spojrzenie na boskość, Absolut i religie do dziś zaskakuje oryginalnością. W zaprezentowanym artykule jego autor dokładniej przyjrzał się wspomnianym trzem powieściom fantasty, ukazując poszukiwania Dicka, który przez całe życie usilnie próbował odnaleźć Boga, sens i dobro. Trzy utwory: Valis, Boża inwazja i Transmigracja Timothy’ego Archera bardzo się od siebie różnią, a jednak wszystkie trzy są wypełnione kapitalnymi pomysłami, błyskotliwymi teoriami i śmiałymi wizjami – czego niniejszym artykułem autor spróbował dowieść.

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This article explores fantastic encounters between humans and non-humans inChinese and Japanese Children’s literature. Naoko Awa’s collection of short storiesThe Fox’s Window and Other Stories is closely read to elucidate narrative features ofwhat I call as “strange encounter”, the magic realistic human-animal encounter inChinese and Japanese cultural context. Chinese supernatural literature and culturaltradition of yaoguai, which have been assimilated into Japanese culture (Japaneseyōkai), are referred to throughout my discussion. Todorov’s approach to thefantastic, Judith Zeitlin’s study of Strange Tales of Liaozhai Studio, and RosemaryJackson’s study of fantasy are drawn upon to illuminate the meaning of encountersbetween men and animals. I argue that magic realism as a relatively new genrefor young readers, not only reflects the author’s individual creative experienceof the fantastic but also partakes in the sense of an “other” reality that resonatesthroughout a cultural community.Perjumpaan Ganjil: Gambaran suatu Realitas “Liyan” bagi Pembaca Muda.Artikel ini membahas perjumpaan fantastis antara ‘manusia’ dan ‘non-manusia’ didalam sastra anak Cina dan Jepang. Antologi cerita pendek karangan Naoko Awa TheFox’s Window and Other Stories akan dikupas untuk memaparkan fitur naratif yangdisebut sebagai ‘perjumpaan aneh’ (strange encounter), perjumpaan magis-realis antaramanusia dengan binatang dalam konteks kebudayaan Cina dan Jepang. Karya sastrasupernatural Cina dan keberadaan yaoguai yang telah diasimilasi dalam kebudayaanJepang (disebut youkai) menjadi sebuah referensi penting dalam artikel ini. Pendekatanfantasi dari Todorov, studi Judith Zeitlin tentang Strange Tales of Liaozhai Studio,dan studi fantasi dari Rosemary Jackson digunakan untuk memperjelas arti dariperjumpaan antara manusia dan binatang. Magis-realis sebagai sesuatu yang baru bagi pembaca muda tidak hanya merefleksikan pengalaman kreatif pribadi sang pengarang akan fantasi, tetapi juga berperan dalam pembentukan realitas “liyan” dalam sebuahkomunitas budaya.

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Cuando la fantasía supera a la realidad o cuando la fantasía es tan real que parece que otros mundos son posibles surge lo fantástico contemporáneo dentro de lo que se denominado literatura posmoderna. La noción de lo fantástico ha de verse como un acuerdo al que todos nos adherimos, pues los límites entre lo real y lo fantástico se diluyen, desde el mismo momento en que se empiezan a cuestionar términos como “realidad extratextual”, “pacto ficcional”, etc., reflejando así que esos mundos alternativos que constituyen lo fantástico no son sino una trascendencia o una trasgresión de lo que entendemos por realidad. El objetivo primordial del presente artículo girará en torno a las reflexiones teóricas acerca de lo fantástico que se han venido produciendo, de forma especial y juiciosa en los últimos años, y su adaptación en las narraciones de Patricia Esteban Erlés, en concreto, en sus cuentos incluidos en Azul ruso (2010) y en Casa de muñecas (2012) donde lo fantástico y lo terriblemente real se difuminan y confunden. When fantasy beats reality or when fantasy is so real that it seems that other worlds are possible contemporary fantasy arises within what is called postmodern literature. The notion of fantastic is to be seen as an agreement that we all adhere, as the boundaries between reality and fantastic are diluted, from the moment we begin to question the terms “extra-textual reality”, “fictional pact”, etc., reflecting so these alternative worlds that constitute the fantastic thing are a transcendency or a transgression of what we understand for reality. The basic aim of the present article will focus on theoretical considerations about how great have been occurring in recent years, and their adaptation in the tales of Patricia Esteban Erlés, specifically in her tales included in Azul ruso (2010) and Casa de muñecas (2012) where the fantastic, the real and the terrible are blurred and confused.

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Resumo: Recordando que o conceito de fantasia em Formulações sobre os dois princípios do acontecer psíquico se equipara ao conceito de ilusão, utilizado em O futuro de uma ilusão, procurou-se realizar uma interlocução entre fantasia e desamparo. Primeiramente, é feita uma digressão sobre o conceito de ilusão, tal como trabalhado na obra freudiana, bem como da condição de desamparo, principalmente, psíquico. Além disso, realizou-se um resgate do conceito de fantasia, para enfim estabelecer as possibilidades de interlocução entre desamparo, ilusão e fantasia. Após essa análise, foi percebido que, embora tanto na fantasia quanto na ilusão o teste de realidade não exerce influência, fantasia e ilusão ocupam lugares diferentes na topologia psíquica.Palavras-chave: Desamparo. Fantasia. Ilusão.Abstract: Reminding that the concept of fantasy in Formulations on the two principles of psychic happening matches the concept of illusion, used in The Future of an Illusion, it was sought to make an interlocution between fantasy and helplessness. Firstly, a digression was made about the concept of illusion, as worked in Freud's work, as well as the condition of helplessness, especially psychic. In addition, the concept of fantasy was rescued to finally establish the possibilities of interlocution between helplessness, illusion and fantasy. After this analysis, it was realized that even though the reality test has no influence in both fantasy and illusion, they occupy different places in psychic topology.Keywords: Helplessness. Fantasy. Illusion.

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Artykuł jest poświęcony kształtowi genologicznemu uprawianej przez Teodora Parnickiego powieści historyczno-fantastycznej, rozpatrywanemu na przykładzie dylogii, którą tworzą dzieła Muza dalekich podróży i Staliśmy jak dwa sny. Szczególnie interesuje mnie obecna w powieściach fantastyka, która wyraźnie reprezentuje dwa typy. Pierwszy z nich nazwałem „fantastyką historyczną”, drugi sam pisarz określił jako „fantastykę czystą”. Ich współwy­stępowanie odróżnia uprawianą przez Parnickiego powieść od form pokrewnych (powieści historycznej, fantastycznej i historii alternatywnej), a zarazem wyposaża dzieła prozaika w znane z literatury romantycznej cechy (autotematyzm, ironię romantyczną) oraz decyduje o przeważającej nad historycznością – literackości dzieła.

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Abstrak Penelitian ini bertujuan untuk mendeskripsikan hasil pengembangan busana fantasi dengan sumber ide busana tradisional Dayak. Jenis penelitian yang digunakan adalah penelitian pengembangan (Research and Development) dengan model pengembangan ADDIE yang terdiri dari 5 tahap, yaitu : analisis, (analyze), desain (design), pegembangan (development), implementasi (implementation), dan evaluasi (evaluation). Metode pengumpulan data dalam penelitian ini dilakukan dengan penilaian instrumen pengembangan busana fantasi dengan sumber ide busana tradisional Dayak. Instrumen ini diuji oleh dua ahli isi, yang dihitung dengan rumus Gregory, sehingga validitas instrumen diperoleh sebesar 0,90 dengan kriteria validitas sangat tinggi sehingga dapat digunakan untuk uji produk. Hasil pengembangan busana fantasi terdiri dari 2 busana, yaitu busana fantasi dengan siluet L, dan busana fantasi dengan siluet A yang bersumber ide busana tradisional Dayak. Hasil produk busana fantasi ini memiliki kualifikasi sangat baik dengan presentase 94,54% pada uji produk busana. Kata Kunci : Busana Fantasi, Pengembangan, Sumber Ide Abstract The research aims is to describe the results of fantasy fashion development, which the ideas come from the traditional Dayak fashion. The type of this research is Research and Development and it is used the model of ADDIE development which consists of 5 stages, namely : analyze, design, development, implementation, and evaluation. The method of data collection in this study was carried out by assessing the instruments of fantasy fashion development with sources of Dayak tradisional fashion ideas. This instruments was tested by two content experts, which ware calculated by Gregory‟s formula, so the instruments validity was 0,90 with very high validity criteria so that it could be used for product testing. The results of the development of fantasy fashion consisted of 2 fashions, namely fashion fantasy with L silhouette, and fantasy fashion with A silhouette sourced from traditional Dayak fashion ideas. The results of this fantasy fashion product have very good qualifications with a percentage is 94,54 % in the fashion product test. Key words : fantasy fashion, development, source of ideas.

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The objective of this research is to reveal Nawāl al-Sa’dāwī’s fantasy and to find out why she builds a fantasy of women’s autonomy in religious discourse as depicted in her latest novel, Zīnah. This study focuses on the concept of fantasy in Žižek's theory of subjectivity, which sees fantasy as a screen covering the lacks and inconsistencies of the shackling Symbolic. Fantasy is also an estuary of meaning that confirms the existence of a divided and dialectical subject that continues to move in search of self-fulfillment. The research method is hermeneutic, namely by interpreting the actions and fantasies of al-Sa’dāwī' as a subject. The analysis shows that al-Sa’dāwī’s fantasy is her realization of a transcendental humanist religious discourse which gives women full autonomy, internally and externally. Zīnah, the main character in the novel, is a symbol of this autonomy. Internally, Zīnah has been set free from the patriarchal shackles of religious discourses. Externally, Zīnah is able to change the structure and create a new humanist, transcendental, and progressive structure in religious discourse to liberate human beings. Zīnah is al-Sa’dāwī’s fantasy to cover up the lacks of The Symbolic, the estuary of meaning, and confirmation of her existence as a divided and dialectical subject. Tujuan penelitian ini adalah untuk mengungkapkan fantasi Nawāl al-Sa’dāwī dan mengapa Nawāl al-Sa’dāwī membangun fantasi otonomi perempuan dalam wacana agama yang tergambar dalam novel terakhirnya, Zīnah. Penelitian ini memfokuskan pada Fantasi yang ada dalam teori subjektivitas Žižek. Fantasi adalah layar yang menutupi kekurangan dan inkonsistensi dalam the symbolic yang membelenggu. Fantasi juga muara makna yang mengukuhkan eksistensi subjek yang terbelah dan berdialektik yang terus bergerak untuk mencari pemenuhan diri. Metode penelitian adalah hermeneutik dengan cara menafsirkan tindakan dan fantasi Nawāl al-Sa’dāwī sebagai subjek. Hasil analisisnya, fantasi Nawāl al-Sa’dāwī adalah terwujudnya wacana agama humanis transendental yang memberikan otonomi penuh perempuan, internal dan eksternal. Tokoh Zīnah adalah simbolisasi otonomi tersebut. Secara internal, Zīnah telah terbebas dari belenggu patriarki wacana agama. Secara eksternal, Zīnah mampu mengubah struktur dan membuat struktur baru yang humanis, transendental, dan progresif dalam wacana agama untuk membebaskan manusia. Zīnah adalah fantasi Nawāl al-Sa’dāwī untuk menutupi kekurangan the symbolic, muara makna, dan pengukuhan eksistensinya sebagai subjek yang terbelah dan berdialektika.

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PENERAPAN DESAIN RIAS FANTASI MENGGUNAKAN SOFTWARE ANSERIES DENGAN SUMBER IDE BUNGA MATAHARI Kristin Muktiana1,a) dan Erna Setyowati2,b) Mahasiswa Jurusan Pendidikan Kesejahteraan Keluarga, Fakultas Teknik, Universitas Negeri Semarang, Gedung E10 Lt 2 Kampus Sekaran, Gunungpati, Semarang 50229 Correspondingauthor:a)kristinmuktiana28@gmail.comb)ernasetyowati@mail.unnes.ac.id Abstract. The application of fantasy makeup design using Anseries software in this study was to facilitate the process of making fantasy makeup design. Research objectives: (1) To determine the validity of fantasy makeup design with sunflower sources using Anseries software. (2) To find out the results of fantasy makeup design with sunflower sources. This study used an experimental method with one-group pretest-posttest design. The research object was Anseries software. The research subjects consisted of three expert validators and 15 moderate-trained panelists from two different study programs in Universitas Negeri Semarang. The data collection techniques were using interviews, observation, and documentation. The data analysis was using descriptive percentage. The fantasy makeup design was using Anseries software which has 4 designs, namely the design of the face, chest, arms and legs. The results of the descriptive analysis showed that the product of fantasy makeup design was declared very valid by three validators based on the assessment indicators of form, color, ease of application, and final result. The products of fantasy makeup design using Anseries software have been declared "very favorable" ratings based on favorite test results by 15 panelists and received "very favorable" ratings based on the assessment indicators of form, color, ease of application, and final result. The suggestion in this research is that making a fantasy makeup design using Anseries software requires skill and accuracy. So, the design that is formed gets good results. Keywords: fantasy makeup design, Anseries software, sunflowers. Abstrak. Penerapan desain rias fantasi menggunakan software Anseries dalam penelitian ini adalah untuk memudahkan proses pembuatan desain rias fantasi. Tujuan penelitian: (1) Untuk mengetahui validitas desain rias fantasi dengan sumber ide bunga matahari menggunakan software Anseries (2) Untuk mengetahui hasil karya desain rias fantasi dengan sumber ide bunga matahari. Penelitian ini menggunakan metode eksperimen dengan desain eksperimen One-Group Pretest-Posttest Design. Objek penelitian berupa software Anseries. Subjek penelitian yaitu terdiri dari tiga validator ahli dan 15 panelis agak terlatih yang terdiri dari 2 prodi mahasiswa UNNES. Teknik pengumpulan data menggunakan wawancara, observasi dan dokumentasi. Analisis data menggunakan deskriptif persentase. Desain rias fantasi menggunakan software Anseries mempunyai 4 desain yaitu desain bagian wajah, dada, lengan dan kaki. Hasil analisis deskriptif menunjukkan bahwa produk desain rias fantasi dinyatakan sangat valid oleh 3 validator berdasarkan indikator penilaian bentuk desain, warna desain, kemudahan aplikasi, dan hasil akhir desain rias. Produk desain rias fantasi menggunakan software Anseries telah dinyatakan sangat suka pada hasil uji kesukaan oleh 15 panelis dan memperoleh penilaian sangat suka berdasarkan indikator penilaian bentuk desain, warna desain, kemudahan aplikasi, dan hasil akhir. Saran dalam penelitian ini adalah Pembuatan desain rias fantasi menggunakan software Anseries diperlukan kemampuan dan ketelitian dalam mendesainya agar desain yang terbentuk memperoleh hasil yang baik. Kata Kunci: desain rias fantasi, software Anseries, bunga matahari.

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Abstract In this research, we chose the series of Beatrix Potter in English languages. Then the obtained data studied in three parts of the style of writing, the semiotics of fantasy characters, and in terms of social concepts such as power, gender, and collaboration. This research is descriptive research based on the library method. Fantasy is a ction about a topic in the past or an event in the future that is now untrue, but relying on individual knowledge and imagination. Fantasy literature, as it stands today, was created in Europe in the eighteenth century, although its elements exist in myths and ancient myths. Beatrix Potter (1866-1943) grew up in London is the most acclaimed Baby Writer. She was an English writer, illustrator, natural scientist, and conservationist best known for her children’s books featuring animals. She is well-known as the author of children’s books such as The Tale of Peter Rabbit. She wrote 23 books altogether, the most famous of which was “the Tale of Peter Rabbit “, which translated into 35 languages and printed 151 million copies in the world. Keywords: characterization, fantasy literature, story, Beatrix Potter, phantom fantasy, realistic fantasy, writing style Abstrak Dalam penelitian ini, dipilih seri Beatrix Potter dalam bahasa Inggris. Kemudian data yang diperoleh dianalisis dalam tiga bagian: gaya penulisan, semiotika karakter fantasi, dan ditinjau dari konsep sosial, seperti kekuasaan, jenis kelamin, dan kolaborasi. Penelitian ini merupakan penelitian deskriptif berdasarkan metode kepustakaan. Fantasi adalah ksi tentang suatu topik di masa lalu atau peristiwa di masa depan yang sekarang tidak benar, tetapi mengandalkan pengetahuan dan imajinasi individu. Sastra fantasi, seperti yang ada saat ini, diciptakan di Eropa pada abad kedelapan belas, meskipun unsur-unsurnya ada dalam mitos dan mitos kuno. Beatrix Potter (1866-1943) besar di London adalah Penulis Bayi, ilustrator, ilmuwan alam, dan konservasionis yang terkenal karena buku anak-anaknya yang menampilkan hewan. Karyanya yang terkenal adalah buku anak-anak, seperti The Tale of Peter Rabbit. Kata kunci: penokohan, sastra fantasi, cerita, Beatrix Potter, fantasi hantu, fantasi realistik, gaya menulis

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The article is devoted to the problem of the transformation of the genre gene survey of instrumental fantasy in musical creativity of the 20th century. The research methodology is based on cultural and systemic approaches, which allows to present fantasy in several dimensions: ontological (philosophical meaning), pragmatic (genre structure) and interpretive (play with an invariant, original work, etc.), which is proven on individual examples. The scientific novelty of the study consists in presenting fantasy as a system that combines the ontological, communicative and interpretive nature of the genre. It was revealed that the ontological nature is revealed through structural, linguistic and dramaturgical signs of improvisation and freedom; genre (genre composition) through the basic indicator that combines freedom of presentation and development of the main musical material (theme, thematic complex, etc.); the communicative meaning appears to direct the attention of both the performer and the listener to the principle of creative freedom, or a certain “game”, which becomes the main idea in the work. Finally, the interpretive meaning is emphasized due to the presence of the type of “fantasy on themes”, re-intonation, combination of the fantasy genre with other genres, which is often noted by the author himself - sonata-fantasia, waltz-fantasia, quasi fantasia, etc., which is evidence of the work of fantasy as a principle of special “world perception” and “world creation” both by itself and based on established linguistic and dramaturgical norms of another genre.

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This article is an analysis the writing of Lucian of Samosata, A True Story (Alethe diegemata). Its purpose is to indicate the presence of fantastic causes in the work today and to trace the presence of the motifs used by Lucian in later fantastic writings. The dividing line between fantasy literature and science fiction is also permanently drawn, which is helpful in examining the work, as well as in an attempt to assign it to one of the revealed trends in fantasy literature.

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The online community 'Puan Bisa' is a women-specific community that has the goal of empowering women, especially young women by utilizing symbolic fantasy in digital communication. The fantasy theme is the contents of messages in communication that have been dramatized, either through the choice of words, phrases, slogans and so on. The purpose of this research is to find out what kind of fantasy themes and messages the founder of the 'Puan Bisa' community uses to members of the 'Puan Bisa' online community board in building group awareness. The goal of this research is to find out what kind of message is used by founder of the 'Puan Bisa' community. The method used in this research is descriptive qualitative with data collection in the form of interviews with informants, pattern matching, literature studies, and internet research. The results of this study show that the fantasy created by the Founder of the 'Puan Bisa' community for members of the online community 'Puan Bisa' has built a group awareness in carrying out and describing women's empowerment. This causes a fantasy chain to occur which gives rise to certain types of fantasy that have specific meanings when used within the women's empowerment community. Abstrak Komunitas online ‘Puan Bisa’ merupakan komunitas khusus perempuan yang mempunyai tujuan untuk memberdayakan perempuan khususnya perempuan muda dengan memanfaatkan fantasi simbolik dalam komunikasi digital. Tema fantasi merupakan isi pesan dalam komunikasi yang sudah didramatisasi, baik melalui pemilihan kata, frasa, slogan dan lain sebagainya. Tujuan dari penelitian ini untuk mengetahui tema fantasi dan pesan seperti apa yang digunakan pendiri komunitas ‘Puan Bisa’ kepada anggota pengurus komunitas online ‘Puan Bisa’ dalam membangun kesadaran kelompok. Metode yang digunakan pada penelitian ini adalah kualitatif deskriptif dengan pengumpulan data berupa wawancara terhadap informan, pola pencoco*kan, studi pustaka, dan riset internet. Hasil dari penelitian ini fantasi yang diciptakan oleh Pendiri dari komunitas ‘Puan Bisa’ kepada anggota pengurus komunitas online ‘Puan Bisa’ telah membangun sebuah kesadaran kelompok dalam melakukan dan menggambarkan pemberdayaan perempuan. Hal ini menyebabkan terjadinya rantai fantasi yang memunculkan tipe fantasi tertentu yang bermakna spesifik ketika digunakan di dalam komunitas pemberdayaan perempuan.

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This article offers a comprehensive review of W. Morris influence on the epic fantasy of J.R.R. Tolkien. The purpose of the research is to reflect how Morris tradition influenced the development of Tolkiens fantastic prose - which later formed a separate subgenre of epic fantasy - and the whole fantasy genre. The objectives of the study include tracing the history of the development of fantastic element in literature - which served as a basis for the works of both authors - and finding poetological similarities and differences between W. Morris and J.R.R. Tolkien. The comparative study is based on the works of V. Gopman and K. Massey as well as on the original writings of Morris and Tolkien. The result of the study is the justification for W. Morris as the natural literary precursor of Tolkien. Based on the influence and partial borrowing of Morris imagery and motifs, Tolkin develops the theoretical foundation for the genre of magical fairy tale, which will later be called fantasy.

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Abstrak Penelitian ini bertujuan untuk (1) mendeskripsikan proses pembuatan busana fantasi dengan sumber ide Dramatari Calonarang; (2) mendeskripsikan hasil dari pembuatan busana fantasi dengan sumber ide Dramatari Calonarang. Penelitian ini merupakan penelitian pengembangan (Research and Development), menggunakan model pengembangan PPE. Proses penelitian pengembangan busana ini dilakukan melalui beberapa tahap, yaitu yang terdiri dari 3 tahap yaitu: Perencanaan (planning), produksi (production), evaluasi (evaluation). (1) Pengumpulan data yang digunakan dalam pengembangan ini adalah angket. Proses dari pembuatan buasana fantasi melalui beberapa tahap yakni tahap perencanaan hal pertama yang dilakukan adalah menganalisis terhadap sumber ide yang dikembangkan menjadi busana. Kemudian dilanjutkan dengan proses perancangan atau desain. Pada proses ini peneliti membuat desain busana berdasarkan analisis. Setelah proses perencanaan, kemudian tahap selanjutnya yaitu produksi. Pada proses pengembangan terdiri dari dua langkah yaitu, persiapan dan pelaksanaan. Tahap evaluasi dilakukan uji produk terhadap hasil dari pengembangan busana. (2) Hasil pembuatan busana fantasi dengan sumber ide Dramatari Calonarang terdiri dari dua busana dengan siluet A dan I yang bersumber ide dari tokoh busana penari Matah Gede. Berdasarkan hasil uji produk busana fantasi dari ahli busana I dan ahli II mendapatkan hasil 98,5%. Hal menunjukan bahwa pembuatan busana fantasi dengan sumber ide Dramatari Calonarang memiliki tingkat pencapaian sangat baik. Kata Kunci: Busana Fantasi, Dramatari Calonarang, Sumber Ide. Abstract This study aims to (1) describe the process of making fantasy fashion with the source of Dramatari Calonarang's ideas; (2) describe the results of making a fantasy outfit with the source of Dramatari Calonarang's ideas. This research is a research and development, using PPE development model. The clothing development research process is carried out through several stages, consisting of 3 stages: planning, production, evaluation. (1) Data collection used in this development is a questionnaire. The process of making fantasy atmosphere through several stages namely the planning stage the first thing to do is to analyze the source of ideas developed into clothing. Then proceed with the design process. In this process the researcher makes a fashion design based on analysis. After the planning process, then the next stage is production. In the development process consists of two steps, namely, preparation and implementation. The product evaluation phase is tested on the results of clothing development. (2) The results of making a fantasy outfit with the source of ideas Dramatari Calonarang consists of two outfits with silhouettes A and I sourced from the fashion figure of the dancer Matah Gede. Based on the test results of fantasy fashion products from fashion experts I and experts II get 98.5% results. This shows that the making of fantasy fashion with the source of ideas from Dramatari Calonarang has a very good level of achievement. Keywords: Fantasy Clothing, Development, Idea Source.

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A new collection at East Carolina University’s Joyner Library: The James H. and Virginia Schlobin Literature of the Fantastic Collection includes fantasy, science fiction, horror, and the weird which builds, perhaps, on the uncertainty and anxiety created by the “marvelous” and the “uncanny” aspects of fantasy identified by Tzvetan Todorov (1975).

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Abstract This research aims to explain the relationship between achievement motivation and creative thinking ability with the skills of writing fantasy story texts for seventh-grade students of MTSN 13 Jakarta. The researcher conducted the research with research subjects, namely class VII I MTSN 13 Jakarta, with a total of 32 students. This research is a quantitative research using the correlation method. The research problems are 1) is there a positive relationship between students' achievement motivation (X1) and writing fantasy story text skills (Y); 2) is there a positive relationship between creative thinking ability (X2) and fantasy story writing skills (Y); 3) is there a positive relationship between students' achievement motivation (X1) and creative thinking ability (X2) together with writing fantasy story text skills (Y). The results of the study can be described as follows: 1) there is a positive relationship between students' achievement motivation (X1) and writing text fantasy story skills (Y). This statement can be seen from the significance level of 0.05; it is obtained that the t count is 5.122 > t table is 1.697. 2) There is a positive relationship between creative thinking ability (X2) and writing fantasy story text skills (Y). This statement can be seen from the significance level of 0.05; it is obtained that count is 4.911 > t table is 1.697. 3) There is a positive relationship between students' achievement motivation (X1) and creative thinking ability (X2), together with writing fantasy story text skills (Y). This statement can be seen from the significant level of 0.05 obtained from F count 18.373 > F table 3.32. Abstrak Permasalahan yang diteliti yaitu hubungan motivasi berprestasi dan kemampuan berpikir kreatif terhadap kemampuan menulis teks cerita fantasi. Penelitian ini bertujuan untuk mengetahui hubungan antaramotivasi berprestasi dan kemampuan berpikir kreatif dengan keterampilan menulis teks cerita fantasi siswa kelas VII MTSN 13 Jakarta. Penelitian dilakukan dengan subjek penelitian yaitu kelas VII I MTSN 13 Jakarta dengan jumlah 32 siswa. Penelitian ini merupakan penelitian kuantitatif dengan menggunakan metode korelasi. Hasil penelitian dapat dijabarkan sebagai berikut: 1) terdapat hubungan yang positifantara motivasi berprestasi siswa (X1) dengan keterampilan menulis teks cerita fantasi (Y). Pernyataan ini dapat dilihat dari taraf sifnifikan 0,05 diperoleh t hitung 5.122 > t tabel 1.697. 2) Ada hubungan yangpositif antara kemampuan berpikir kreatif (X2) dengan keterampilan menulis teks cerita fantasi (Y). Pernyataan ini dapat dilihat dari taraf sifnifikan 0,05 diperoleh t hitung 4.911 > t tabel 1.697. 3) Ada hubungan yang positif antara motivasi berprestasi siswa (X1) dan kemampuan berpikir kreatif (X2) secara bersama-sama dengan keterampilan menulis teks cerita fantasi (Y). Pernyataan ini dapat dilihat daritaraf sifnifikan 0,05 diperoleh F hitung 18.373 > F tabel 3.32. Penelitian menunjukkan bahwa kemampuan menulis teks cerita fantasi dipengaruhi oleh motivasi berprestasi dan kemampuan berpikir kreatif.

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Esta pesquisa discute os postulados acerca da literatura de fantasia propostos pelos teóricos J. R. R. Tolkien, Brian Attebery e Farah Mendlesohn. Aborda-se o ensaio “Sobre Histórias de Fadas”, de Tolkien, e as obras Strategies of Fantasy, de Attebery, e Rhetorics of Fantasy, de Mendlesohn. Partindo da discussão dos elementos centrais destas produções, propõe-se que as mudanças na forma com a qual a fantasia como gênero literário se apresenta, em diferentes momentos histórico-geográficos, estão relacionadas com as demandas sociais do contexto das obras. Argumenta-se que novas teorias tendem a surgir para acompanhar tais mudanças e oferecer ferramentas teórico-críticas que abranjam o gênero em suas variadas vertentes e que possibilitem abordagens mais plurais da fantasia. O estudo inicia com uma discussão acerca de como o ensaio de Tolkien e seu romance O Senhor dos Aneis, tiveram um papel central na popularização da fantasia e no estabelecimento de um modelo para o gênero. Então, discute-se a teoria de Attebery, que propõe que o gênero fantasia pode ser visto como um conjunto difuso. Conclui-se com uma análise da teoria de Mendlesohn, que propõe que diferentes textos de fantasia podem ser estudados a partir do modo com o qual o fantástico surge na narrativa.

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The paper explores the possibility of classifying the Bible as a work of fantasy, or as a work including fantastic elements. It looks into the unique status of Biblical fantasy and the challenges to such a classification, including its literary features and presumption of ontological realism. The paper defines fantasy as a literary work whose content is characterized by surfeit or deviation to which no extra-textual ontological pretension is attributed. However, the argument goes beyond the ontological theme to stress the significance of the transcendent in both religious literature and fantasy. The Bible is viewed as fantasy in this sense and in some additional senses already within some of its own parts (such as Lamentation and Job). The paper studies these texts in this context and in relation to the theory of fantasy.

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The Wizard of Oz is not only an iconic film but an iconic fantasy film. An unwillingness to describe it as such within film studies points to a long history of the fantasy genre’s critical neglect. Dissecting the intrinsically cinematic apparatus of space, this article will seek to demonstrate how The Wizard of Oz functions as a fantasy film. Specifically, it will scrutinise how the film attempts to elicit a positive and reassuring encounter with a sense of the magical that seems tied to the genre’s unique aesthetic pleasures. As the film demarcates a mimetic sense of reality, Kansas, from another magical space wherein the fantasy elements of the narrative takes place, Oz, its sense of space hesitates between a sense of the real and the unreal in a manner similar to that originally described in Tzvetan Todorov’s The Fantastic. The Wizard of Oz would seem to operate a similarly fantastic sense of space, constructing a relationship between the two realms that oscillates between the virtues of both as it celebrates the values of the homely and the otherworldly, the familiar and the new in order that it might mitigate its potential traumas and showcase its joys.

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This article attempts to explore the use of fantasy in literature and how it has attained the position of a literary category in the twentieth century. This work also concerns how as the form literature, it functions between wonderful and imitative to combine the elements of both. The article reveals that wonderful represents supernatural atmospheres and events. The story-telling is unrealistic which represents impossibility as it creates a wonderland. In the imitative or the realistic mode, the narrative imitates external reality. In it, the characters and situations are ordinary and real. Fantasy in literature does not escape the reality. It occurs in an interdependent relation to the real. In other words, the fantastic cannot exist independently of the real world that limits it. The use of fantastic mode in literature interrupts the conventional artistic representation and reproduction of perceivable reality. It embodies the reality and transgresses the standards of literary forming. It normally includes a variety of fictional works which use the supernatural and actually natural as well. The developers of fantasy fiction are fairy tales, science fiction about future wars and future world. A major instinct of fantastic fiction is the violence threatened by capitalist violation of personality that is spreading universally.

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Abstract This study aims to analyze the use of types of pronouns in fantasy story compositions of seventh grade students of SMP Harjamukti Depok. This type of research is descriptive qualitative. The data collection technique used was note reading technique. Analysis of the data used the split and match methods. The results of this study indicate that the use of personal prounouns is more dominant than other pronouns. This is because the personal pronouns has the potential and plays a role in developing essays that tell humans as characters, especially in fantasy stories. Keywords: Pronouns, fantasy stories, student essays. Abstrak Penelitian ini bertujuan untuk mengetahui dan menganalisis penggunaan pronomina pada karangan cerita fantasi siswa kelas VII SMP Harjamukti Depok. Metode yang digunakan adalah metode kualitatif sehingga bersifat deskriptif dan cenderung menggunakan analisis. Sumber data yang digunakan adalah karangan cerita fantasi siswa kelas VII SMP Harjamukti Depok sebagai acuan analisis serta berbagai buku dan artikel sebagai sumber data sekunder. Hasil penelitian ini menunjukkan bahwa penggunaan pronomina persona lebih dominan dibanding pronomina lainnya sebab pronomina ini berperan dalam mengembangkan karangan yang menarasikan manusia sebagai tokohnya. Kata Kunci: Pronomina, cerita fantasi, karangan siswa.

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Abstract: This study focuses on exploring the use of Fantasy Theme Analysis for examining local interpretation on global media texts, particularly the way in which Indonesian girls interpret Disney princesses. The main theory used in this research is Symbolic Convergence Theory in which the theory is used as a tool to analyze the chain of meanings. This research uses fantasy themes analysis as the method of analysis. The results indicate that the girls perceive the beauty images constructed by Disney as ideal. Consequently, they have negative perception to the dominant physical characteristics of Indonesian women.Keywords: beauty codes, fantasy themes analysis, feminine codes, local meaningsAbstrak: Penelitian ini fokus pada eksplorasi penggunaan analisis tema fantasi untuk melihat pemaknaan lokal terhadap produk global melalui interpretasi anak perempuan di Indonesia terhadap film putri Disney. Teori utama yang digunakan dalam penelitian ini adalah Teori Konvergensi Simbollik dengan analisis tema fantasi sebagai metode. Hasil penelitian menunjukkan bahwa anak-anak perempuan menempatkan konstruksi kecantikan oleh Disney sebagai kecantikan yang ideal, sehingga mereka cenderung memiliki persepsi negatif terhadap karakteristik fisik dominan yang dimiliki oleh sebagian besar perempuan Indonesia.Kata Kunci: analisis tema fantasi, kode feminin, pemaknaan kecantikan, pemaknaan lokal

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Hobbes and Butler both conjure images of an abandoned infant in their respective discussions of vulnerability. Leviathan uses this image to discuss original dominion, or natural maternal right over the child, while for Butler rights discourse produces fantasies of invulnerability that derealize other lives. However, Hobbes’s infant in nature has no rights and can only consent to being nourished. Only when able to nourish itself can it claim rights to transfer through the covenant producing a fantasy of individual invulnerability. Vulnerability in the state of nature and the commonwealth’s fantasy of invulnerability are together a counter-fantasy to the fantasies of invulnerability of Hobbes’s time, through heaven or eternal glory. In question is whether Butler, in her reimagining of community, is, like Hobbes, producing a fantasy, but a meta-fantasy that community can be taken as fantasy without derealizing the fantastic or that fantasizes an honesty about its being fantasy.

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<div align="center"><table width="645" border="1" cellspacing="0" cellpadding="0"><tbody><tr><td valign="top" width="439"><p class="Abstrak"><strong>Abstract:</strong> This study examines the psychological response to the Covid-19 pandemic in fantasy stories. This psychological response is reflected in the characterization of the characters in the fantasy story. The data of this research are narrative quotes, dialogue quotes, and fantasy story paragraphs that contain direct and indirect psychological responses. The data source of this research is a fantasy story with the theme of the Covid-19 pandemic written by grade VII students of MTsN Gresik. The theme of the fantasy story that was used as the data source was also determined, namely the Covid-19 pandemic. This theme is adapted to the circ*mstances experienced by students at this time. Data collection in this study was carried out in several steps. <em>First</em>, convey material related to understanding, structure, linguistic elements, and steps to writing fantasy stories to students. <em>Second</em>, assigning students to write fantasy stories according to predetermined themes. <em>Third</em>, observe and carefully read the fantasy stories written by students. <em>Fourth</em>, identify data and adjust it to the research focus<em>. Fifth</em>, code the data. <em>Sixth</em>, classify and describe the data. From the data analysis that has been done, several psychological responses were found. <em>First</em>, a cognitive response in the form of a character's knowledge of the Covid-19 pandemic. <em>Second</em>, affective responses related to the emotions of characters in the face of the Covid-19 pandemic. <em>Third</em>, a conative response in the form of actions taken by figures in the face of the Covid-19 pandemic.</p><p class="Abstrak"><strong>Abstrak:</strong> Penelitian ini bertujuan untuk mendeskripsikan bentuk respons psikologis terhadap bencana pandemi Covid-19 dalam cerita fantasi. Respons psikologis ini tercermin pada penokohan tokoh dalam cerita fantasi tersebut. Data penelitian ini berupa kutipan narasi, kutipan dialog, dan paragraf cerita fantasi yang mengandung respons psikologis secara verbal. Sumber data penelitian ini adalah cerita fantasi bertema pandemi Covid-19 yang ditulis siswa kelas VII MTsN Gresik. Tema dari cerita fantasi yang dijadikan sumber data juga ditentukan yaitu pandemi Covid-19. Tema ini disesuaikan dengan keadaan yang dialami siswa pada masa ini. Pengumpulan data dalam penelitian ini dilakukan dengan beberapa langkah. <em>Pertama</em>, menyampaikan materi terkait pengertian, struktur, unsur kebahasaan, dan langkah-langkah penulisan cerita fantasi kepada siswa. <em>Kedua</em>, memberikan penugasan ke siswa untuk menulis cerita fantasi sesuai tema yang sudah ditentukan. <em>Ketiga</em>, mengamati dan membaca secara saksama cerita fantasi yang ditulis siswa. <em>Keempat</em>, mengidentifikasi data dan menyesuaikan dengan fokus penelitian. <em>Kelima</em>, memberi kode pada data. <em>Keenam</em>, mengklasifikasikan dan mendeskripsikan data. Dari analisis data yang telah dilakukan, ditemukan beberapa respons psikologis. <em>Pertama</em>, respons kognitif berupa pengetahuan tokoh terhadap pandemi Covid-19. <em>Kedua</em>, respons afektif yang berkaitan dengan emosi tokoh dalam menghadapi pandemi Covid-19. <em>Ketiga</em>, respons konatif berupa tindakan yang diambil tokoh dalam menghadapi pandemi Covid-19.<strong></strong></p></td></tr></tbody></table></div>

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As the genre of fantasy literature continues to grow, new authors strive to innovate and stray from the traditional principles that ruled it for many decades when epic fantasy was more prominent. Though epic features still remain a great part of the genre,the characteristics that rule fantasy worlds, stories, and characters have changed over time, bringing new aspects into the fold and introducing new voices. As academics attempt to categorize a genre as diverse as fantasy to better understand it and define it, authors continue to expand and mingle fantasy elements with components from other genres, especially science-fiction. The aim of this article is to identify how a taxonomy of fantasy can be used to understand the relation between the fantastic and the narrative. By analyzing N. K. Jemisin’s novels in the Broken Earthtrilogy throughFarah Mendlesohn’s categorization of fantasy proposed in Rhetorics of Fantasy(2008), the goal is to discover the aspects in which Jemisin brings innovation into the fantasy genre by applying elements from various categories.

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In children's fantasy, invisibility is a popular motif, typically achieved by using different magic items. Invisibility also serves an important role in feminist discourses of femininity and power. In feminist theory, invisibility has been used to describe the status of females in patriarchal systems, while in fantastic texts invisible females have often literally served as the monstrous Others. However, invisibility has also been seen as a form of empowerment, particularly in fantastic contexts where it can be interpreted both literally and metaphorically. To open up and explore these questions, this article examines the feminist discourses of invisibility, femininity and power in two British children's fantasy novels: The Time of the Ghost (1981) by Diana Wynne Jones and The Ghost Drum (1987) by Susan Price .

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Tujuan dari penelitian ini adalah: (1) Untuk mengetahui pengaruh kepercayaan terhadap loyalitas pelanggan pada Toko Fantasy Cellular di Pondok Padang. (2) Mengetahui pengaruh kualitas pelayanan terhadap loyalitas pelanggan pada toko Fantasy Cellular Pondok Padang. (3) Mengetahui pengaruh kepercayaan & kualitas pelayanan terhadap loyalitas pelanggan pada toko Fantasi Cellular Pondok Padang. Metode pemilihan sampel yang digunakan dalam penelitian ini adalah jumlah sampel sebanyak 76 responden. Teknik pengumpulan data yang digunakan dalam penelitian ini adalah dengan menyebarkan kuesioner. Metode analisis data dalam penelitian ini menggunakan analisis regresi linier berganda, koefisien determinasi, dan uji hipotesis T dan F. Hasil penelitian antara lain (1) Variabel Kepercayaan secara parsial berpengaruh positif & signifikan terhadap loyalitas pelanggan Toko Fantasi Seluler Pondok Padang. (2) Variabel Kualitas Pelayanan secara parsial berpengaruh positif & signifikan terhadap Loyalitas Pelanggan di Toko Fantasi Seluler Pondok Padang. (3) Kepercayaan (X1) dan Kualitas Pelayanan (X2) secara simultan berpengaruh signifikan terhadap Loyalitas Pelanggan pada Toko Fantasi Seluler Pondok Padang. Kontribusi Kepercayaan (X1) dan Kualitas Pelayanan (X2) terhadap Loyalitas Pelanggan pada Toko Seluler Fantasi di Pondok Padang adalah sebesar 60%, sedangkan sisanya sebesar 40% dijelaskan oleh variabel lain yang tidak digunakan dalam penelitian ini seperti kepuasan pelanggan dan toko. suasana.

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The article presents the ways of transposing realistic spaces into fantastic ones in the novels Gałęziste [Lake Gałęziste] and Grzesznik [The Sinner] by Artur Urbanowicz. Both stories are set in the Suwałki region created by the author. In the introduction, the author of the article discusses a specific sub-genre of fantasy – low fantasy, also called “unicorns in the garden” or “close range” fantasy – and presents the profile of Urbanowicz. When discussing spatial transpositions in Gałęziste, she draws attention primarily to the infinite forest created by the writer, and in Grzesznik she discusses spatial transformations in terms of the conveyed vision of hell.

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ABSTRAK: Penelitian ini bertujuan (1) Mendeskripsikan hasil belajar menulis teks cerita fantasi siswa kelas VII SMP Katolik Rajawali dengan memanfaatkan media animasi. (2) Mendeskripsikan hasil pembelajaran menulis teks cerita fantasi siswa kelas VII SMP Katolik Rajawali dengan memanfaatkan media video. (3) Membuktikan ada atau tidaknya pengaruh media animasi atau video terhadap pembelajaran menulis teks cerita fantasi siswa kelas VII SMP Katolik Rajawali. Populasi penelitian ini adalah keseluruhan siswa kelas VII SMP Katolik Rajawali yang berjumlah 246 siswa yang tersebar ke dalam enam kelas. Mulai dari kelas VII S, VII T, VII U, VII V, VII W, VII X. Sampel dalam penelitian ini yaitu kelas eksperimen pada kelas VII V dan kelas kontrol pada VII U yang dipilih secara random atau acak. Instrumen yang digunakan yaitu instrument tes. Data penelitian dianalisis dengan menggunakan statistik deskriptif dan statistik inferensial. Hasil penelitian menunjukkan bahwa: (1) pembelajaran menulis cerita fantasi kelas VII V SMP Katolik Rajawali dengan menggunakan media animasi termasuk kategori sangat tinggi pengaruhnya dengan nilai rata-rata 87; (2) pembelajaran menulis cerita fantasi kelas VII U SMP Katolik Rajawali dengan menggunakan media video termasuk kategori sangat berpengaruh dengan nilai rata-rata 87; (3) media animasi dan video sangat berpengaruh dalam pembelajaran menulis cerita fantasi kelas VII SMP Katolik Rajawali. Hal ini dibuktikan dengan uji-t pada kelas eksperimen nilai signifikansi adalah 14,678 ttabel = 1,99. Jadi, H1 diterima dan H0 ditolak, ada perbedaan yang signifikan posttest pada kelas eksperimen. Pada kelas kontrol diperoleh thitung = 14,238 ttabel = 1,99. Jadi, H1 diterima dan H0 ditolak. KATA KUNCI: Media animasi, menulis cerita fantasi, pengaruh, video THE EFFECT OF ANIMATION AND VIDEO MEDIA IN WRITING FANTASY STORIES AT THE 7TH GRADE STUDENTS OF SMP KATOLIK RAJAWALI MAKASSARABSTRACT: This study aims to (1) describe the results of learning to write fantasy story texts for the seventh grade students of Rajawali Catholic Junior High School by using animation media. (2) Describe the learning outcomes of writing fantasy story texts for the seventh grade students of Rajawali Catholic Junior High School by using video media. (3) prove whether or not there is an influence of animation or video media on learning to write fantasy story texts for the seventh grade students of Rajawali Catholic Junior High School. The population of this research is the entire seventh grade students of Rajawali Catholic Junior High School, totaling 246 students which are divided into six classes. Starting from class VII S, VII T, VII U, VII V, VII W, VII X. The samples in this study were the experimental class in class VII V and the control class in VII U which were chosen randomly. The instrument used is a test instrument. The research data were analyzed using descriptive statistics and inferential statistics. The results showed that: (1) learning to write fantasy stories for class VII V of Rajawali Catholic Junior High School by using animation media was in the category of very high influence with an average score of 87; (2) learning to write fantasy stories for class VII U of Rajawali Catholic Junior High School by using video media is categorized as very influential with an average score of 87; (3) animation and video media are very influential in learning to write fantasy stories for class VII Rajawali Catholic Junior High School. This is evidenced by the t-test in the experimental class, the significance value is 14.678 ttable = 1.99. So, H1 is accepted and H0 is rejected, there is a significant difference in the posttest in the experimental class. In the control class obtained tcount = 14,238 ttable = 1,99. So, H1 is accepted and H0 is rejected. KEYWORDS: Animated media, influences, videos, writing fantasy stories

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Fantasy has played a crucial role in shaping literature since time immemorial. Yet , proper syste matic work on fantasy has not been done until the last century, when scholars began to realize its importance and give it due recognition. First published in 1970, Tzvetan Todorov’s The Fantastic: A Structural Approach to a Lirerary Genre represents one of the touchstones of critical work on the fantastic genre. His pioneering ideas have inspired literary critics worldwide to deve lop their own premises on the genre, some of which bear Todorov’s indelible imprints. This essay attempts to chart how Todorov constructs his paradigm by means of his structuralist standpoint and how later critics, such as Christine Brooke-Rose and Rosemary Jackson, respond to his theoretical postulate. The main objective of this essay is to investigate how these theoretical dialogues, with Todorov’s model of the fantastic genre functioning as an axis, shed light on a complex notion of genre as dynamic institution, which needs to be resilient enough to accommodate changes and in turn prescriptive enough to be the guideline for readers and writers alike.

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In 2010, David Waddington published a paper in Studies in Philosophy of Education entitled “Troublesome Sentiments: The Origins of Dewey’s Antipathy to Children’s Imaginative Activities.” In this article, Waddington embarks on a genealogical account of Dewey’s “apparent hostility toward children’s imaginative pursuits.” (p. 351). This paper extends and refines Waddington’s argument, arguing that the distinction between fantasy and creative imagination is an important one to understanding Dewey. I conclude that Dewey’s antipathy is really focused on fantasy. This antipathy extends throughout much of his educational, psychological, and aesthetic work. Dewey’s distain for fantasy rests on his arguments about the creative and productive purposes of thought and activity. He feels that fantasy, dealing with the unreal and overly emotional aspects of thought, is unproductive and, occasionally, dangerous. I argue that this is an underestimation of fantasy, one that rests on a conflation of fantasy as an activity with the fantastic as subject matter. I argue that Dewey underestimates fantasy, demonstrating that it might serve the moral and aesthetic purposes that drive his account of imagination.

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The structural functioning and purpose of the fantastic in Glubkes oordeel, especially in the ‘Last Judgement’ description, is scrutinized in this article. The protagonist, Glubke, find s himself in a psychological labyrinth as a result of an Oedipal conflict, and this gives rise to his flight of fantasy. The reader enters the realm of Glubke's mind by means of the fantastic and the fantastic enables the abstract author to give a dramatic artistic representation of Glubke’s chaotic spirit and his reclusion. The damnation scene is an externalization of the inner life of an arch-outsider and in this scene the fantastic becomes the dominant mode of discourse. Brakman’s comprehensive range of linguistic effects allows him to achieve the fantastic dimension to excellent effect.

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The paper seeks to explore the concept of the secondary world as developed in Susanna Clarke’s 2020 fantasy novel Piranesi. The analysis is conducted in the context of the evolution of the literary motif of fairy abduction between the classic medieval texts and its current incarnations in modern speculative fiction. The argument relates the unique secondary world model found in Clarke’s novel to the extensive intertextual relationship Piranesi has with the tradition of portal fantasy narratives, and discusses it in the context of the progressive cognitive internalisation of the perception of the fantastic which has taken place between the traditional medieval paradigm and contemporary fantasy fiction.

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The aim of this paper is to show how contemporary children’s fantasy fiction offers alternative methods to children and teenagers for confronting real-life issues, such as self-discovery, sense of belonging and the process of individuation, through the analysis of Neil Gaiman’s Coraline. In his contemporary children’s fantasy book, Gaiman empowers his protagonist to explore her sense of self, overcome her insecurities and fears in a fantastic mirror-like home. This paper argues that fantasy is an effective device for explaining the complexities and dilemmas of the self and examining a child’s quest for self-discovery in the process of maturation and individuation.

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The purpose of this study is to investigate selected fantasy short stories by Charles Dickens. The study focuses on "impulse for fantasy," which leads Dicken’s readers to a captivating world of other reality. Dickens, as a Victorian figure, had always redefined and defined the fantastic method to expose and probe the world of reality. The imaginary/alternate world therefore shaped, gives expression to its new reality creatively manipulated and adapted to expose the truth of the actual world.

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The intrusion of the Fantastic in the New Algerian Writings: the case of the novels of Djamel Mati This contribution aims at questioning the way with which the Algerian Writer D. Mate introduces the fantastic in the diegetic universe inclined to the phantasmagorias of the tormented lucubration’s of the characters in quest of themselves. In this perspective, the Writer elaborates a new interactive and dynamic relationship between the moving and chimerical spatiality’s of "point B114" and the fantastic lucubration’s of atypical characters on the reading of "Sweet-sour, the lucubration’s of a tormented mind" and "It looks like the South". The researcher attempts to show how such dynamics is elaborated in the wake of a new Algerian writing of dreams and delirium, the liberation of forms and senses through a singular fantasy with innovative scriptural mechanisms to showtheir philosophical and ontological nature, consubstantial with the human condition. In conclusion, we will say that the fantastic is omnipresent in the phantasmagorical diegetic universe by the multiplication of hallucinatory, strange and inexplicable phenomena experienced by the tormented characters in search of themselves. However, Mati's scriptural aesthetic does not content itself with "threading" them in the narrative continuum: it draws eclecticly from other codes of the fantastic, ranging from the strange inexplicable to that of the disturbing Freudian strangeness to establish a sort of dismantling of time and space opening up to infinity in a supernatural dreamlike timelessness that escapes the classical spatio-temporal benchmarks (space, duration, dating). In Mati, the "raw" fantasy is not introduced into a world where enchantment goes without saying, it is the fruit of hallucinations, daydreams and dreamlike delusions of characters inclined to systematically consume sweet and sour pills and hookahs stuffed with Indian hemp. The intrusion of an eclectic and hybrid fantasy into a composite conglomeration of hallucinatory micro-narratives allows the expression of an existential malaise which the wandering characters seeks to circ*mscribe through strange and inexplicable experiences. Finally, the intrusion of a fantastic singular invades in an original and singular way the entire surface of the text through the excrescences of the hallucinatory dream, of the oneiric fabulation and refers implicitly to the impalpable ontological mystery which privileges the questioning of the human condition and the entity of being.

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In the essay Science fiction: a hopeless case - with exceptions, Stanisław Lem spoke negatively about science fiction (but also about its authors and fans), proving its secondary nature and entanglement in market laws, pointing out the lack of reliable criticism from outside the fandom and flattering the tastes of recipients who only seek entertainment in literature. The author of Solaris included science fiction in the “lower kingdom” of literature, contrasting it with mainstream (“upper kingdom”). Thus, he symbolically strengthened the division into the fantastic “ghetto” and mainstream literature.Jacek Dukaj also spoke about science fiction in a slightly less categorical tone. In the essay Krajobraz po zwycięstwie, czyli polska fantastyka AD 2006 [Landscape after victory, or Polish fantasy AD 2006], the author of Ice noticed similar problems that Lem had seen in the past (lack of external criticism, lack of ambition, stagnation and reluctance of SF writers to go beyond plot and language patterns, flattering fashions and treating science fiction prose only as entertainment literature); however, unlike Lem, he seemed to be interested in the fate of his environment and proposed specific solutions that could raise the rank of science fiction.

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The research titled Montage Realizing Fantasy in the Rain Tree Film (MontaseMewujudkan Fantasi dalam Film Pohon Penghujan)uses qualitative research methods with a formalist esthetic approach and Eisenstein's montage theory. The problem in this research is how the montage manifests the fantasy in the RainTree film?The study in this study focuses on the montage, thus giving meaning in the fantasy film of the Rainbows. The analysis used to dissect the problems used Eisenstein montage theory, namely metric,rhythmic,tonal,overtonal,and intellectual.The results obtained in the research shows a way of fantasy creation,that is,there are some Lacan fantasy scenes,the way the subject is eagerly read through the Eisenstein montage. Through the montage of Eisenstein can be seen the essence of each shot is displayed and the formation of how the characters in the film RainTree knows his passion and shapes his desire through a series of montage.Keywords: Fantasy,Montage,RainTree.

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On the Translation of Fantasy Literature through the Lens of the Italian Version of Andrzej Sapkowski’s The Witcher Series Studies on the specific features of fantasy literature that can influence translation strategies are becoming more and more widespread among scholars, as a consequence of increasing interest in the rendition of cultural items and the legitimation of fantasy literature as a field of research. Focusing on the Italian version of The Witcher series by Andrzej Sapkowski, published in 2010–2016, the article investigates the problems posed by the creation of imaginary worlds and the form of literary cycles as distinctive traits of fantasy literature, as suggested by Guttfeld (2012). The author shows how they can affect cultural and lexical consistency in the translation of anthroponyms, toponyms, units of measurement, culinary terms, and fantastic creatures. Whereas in Polish translations of fantasy texts a foreignizing strategy prevails, due to the domination of anglophone writers and the imbalance of cultural systems, the Italian translation of Sapkowski’s works appears significantly more domesticated.

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This study looks into the dynamics of fantasy in the so-called telepantasya or pantaserye, particularly in how it uses the concept of space. It shows how the worlds of reality and fantasy are differentiated in these locally-produced television series. Encantadia and Majika on GMA 7, and Super Inggo and Da Adventures of Pedro Penduko on ABS-CBN 2 are analyzed for this purpose. An in-depth analysis of these shows leads the writer to conclude that there are many elements of “fantastic narratives” adapted from the West, particularly the dichotomy between reality and fantasy. This dichotomy is not found in Philippine mythology, where the “mysterious” (kababalaghan) coexists with and impinges on the real.

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Starting with Jerzy Jarzębski’s opinion that the fantastic convention in contemporary literature fulfills the role of “artificial sense”, the Author analyzes selected works related to the subject of the Holocaust in order to check the functionality and artistic value of fantastic elements used there. She notes that fantasy helps writers express the experience of emptiness following a loss, strengthens the trauma related to the past, and emphasizes the literariness of the text, fulfilling the role of metafiction.

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Starting with a reconstruction of the views of philosophers and aesthetes on the topic of fantastic images, the Author aims to characterize fantasy art. She describes the reception of this art in Poland, characterizes its determinants, and defines the trend, indicating the most important examples of artistic works. While exploring this approach, she refers to Waldemar Okoń, Jerzy Malinowski, Tomasz Gryglewicz, and Antoni Smuszkiewicz. The convention of fantasy art appears to be a vital, developmental quality, an expression of the rebellion of consciousness against simplifications.

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Questo articolo esplora la fantasia sessuale come un'articolazione della fantasia inconscia nelle relazioni di coppia. Attingendo a modelli di attaccamento e prestando attenzione a stati mentali di "finzione" ed "equivalenza psichica", considera il potenziale dei partner di com-binarsi nell'attuazione di fantasie inconsce condivise attraverso incontri sessuali guidati dalla fantasia. In questo contesto vengono fatte osservazioni sulle diverse forme di relazione ogget-tuale narcisistica e vengono suggerite alcune implicazioni per i terapisti di coppia.